Dancing about Architecture***

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I went and saw the Dirty Projectors tonight in Williamsburg, and I went in cold. My dear Meags had asked me a while ago to buddy up under the auspices of whiskey and music, and since Meags has impeccable taste, I agreed. Not knowing what to expect, it was like: Fluffy made sirens and made them sing Trio Q-sides as if they were covering deep cuts from Remain in Light.

The show was totally amazing. It was the best band I’ve seen live in a while, and their live show was exponentially better than anything I’ve found that they could sit down and auto tune. When was the last time you felt like that?**

This video sort of serves as the anti-apotheosis of strange nomadic gowanus eau de vie, in that no matter how many hofner lutes you alpaca into the wilderness, you’d be better off seeing the Dirty Projectors live.*

I drank the Kool Aid.

*dear and seemingly pure of heart singers Amber Coffman, Angel Deradoorian and Haley Dekle have essentially perfect intonation and make “studio magic” type sounds in person… She crushes this song. No loops, little reverb. For loops: opening band Tune Yards is like Jahan Ramazani’s post-colonial nightmare version of Townsend’s porch party … in a good way.

** note: I didn’t want to dance, I wanted to watch them (specifically Angel Deradoorian’s bangs) with my hand over my heart and thank goodness that a) someone besides CSN&Y remembered three part harmonies and b) that I was alive in this strange world where some people are left handed.

*** “writing about music is like dancing about architecture”~ woodpecker

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